Once a rough draft of a script is written, the directors and producers will bring in actors not necessarily the final actors to record the whole thing so that they can hear it off the page. Trackreading, a method of animation lip synching mostly used in traditional 2D animation, is a dying art with computer-generated animation programs observes Tim Borquez of Hacienda Post. Animated feature film projects can take three to four years and require several passes on the vocal recordings. One of the most difficult things for Sotolongo is being prepared because every session is different and when you are working with stars, You have to be ready to go and right. In feature animation, the audience expects the high quality vocal performances that A-list stars bring to the film.
ANOMATION SOUND REFERENCE PLUS
Sotolongo has credits on just about every DreamWorks animated project, including the Shrek movies, Shark Tale, Prince of Egypt and Madagascar, plus work for other studios on films such as Nickelodeons Jimmy Neutron: Boy Genius and Universals Curious George.
Studios Group, which specializes in anything audio, especially voice recording on big budget animation features and television series. People believe that voice, says Carlos Sotolongo, dialog mixer at the L.A. The human aspect of these films is the voice. The company specializes in anything audio, especially voice recording on big budget animation features and television series.īut despite sweeping advances in the technical production, the vocal performance remains at the heart of animation audio. We wanted to get movement in the shows, but it only really worked if it was motivated. You could get whiplash listening to the shows. In their excitement over the use of that innovative technique, Vitello admits, We panned everything. It was the first television cartoon produced in stereo even before the FCC approved the technical format that we now take for granted. in Burbank, California, first started working in animation in 1984 on the animated television series, Voltron. Like many film and television techniques, the creation of animation sound has evolved with the digital revolution of the last 20 years. The best sound design is a hidden art, a seamless integration with the moving image, existing in support of the story. In animation all the sound is completely invented in post a synthetic creation, manufactured out of raw materials. Television animation has been a mainstay of childrens programmers pretty much since the advent of the tube. Animated films have been among the top grossing films in the last five years. Animation sound has evolved with the digital revolution, but despite sweeping advances in technical production, the vocal performance remains at the heart of animation audio.Īnimation is one of the most popular and profitable genres in entertainment.
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